COMPLETED VERS Draft for Film Review
Draft for Film
Review
Endora, a typical American town where ‘nothing much happens’; a world created based on Iowa: this is the ultimate rural setting created by Peter Hedges. On screen, the effect is multiplied when compared with the book; and it’s a lot different too. With the background set for small town life, we discover a positive future for Gilbert Grape who must eternally keep his eyes on his little brother Arnie. At the centre of our focus is Arnie’s behaviour. The incredible proportions of his mother complement this. They truly are characters that keep us interested. Hallstrom’s 1993 film What’s Eating Gilbert Grape? invites audiences to explore responsibilities and positive decisions associated with families. By the end of the film, viewers will be able to place themselves in the shoes of Gilbert and decide what they would do if placed in this situation.
New perspectives
and understandings can arise from both natural surroundings and people. This
comedy-drama is at once a medium for mass enjoyment and a vehicle for moments
of discovery and imagination by individual viewers.
What could be
worrying or annoying Gilbert? But then, perhaps they were exploiting him in the
film. His family, his shopkeeper boss, and Mrs Carver all use him because he
has not left Endora. The fact is that if he had anywhere to go he would have
gone ages ago, just as his brother had. Clearly this is to be considered by the
audience (but not as the main focus). Leaving the family is not looked upon
negatively.
Gilbert’s responsibility
over Arnie also fuels his policy of allowing nobody to touch Arnie. This is
seen when Ellen (15 year old sister) tries to stop him from climbing up town
infrastructure. Although protective of Arnie, he is sometimes not as caring as
the audience may have thought, such as when he tries to punish Arnie. His
action is not surprising, as we have already heard his “some days you want him
to live, some days you don’t” in his introduction.
In order to
discuss this family situation we must notice that Arnie is exaggerated for the
plot. Bonnie, the mother could not possibly have had kids as diligent as
Gilbert.
In the opening credits, the two brothers talk in a friendly way while waiting for the caravans to arrive. Sparkling in the sun, they arrive in a single line and give Arnie great joy. After this, Gilbert gives an introduction to Endora, his family, and in particular, his brother Arnie. Showing the life of his family in the morning is also important in allowing contrast to develop when the darker scenes emerge in the course of the film. Their older sister Amy and Gilbert share a ‘family tradition’ of searching for Arnie who is normally at the top of a tree.
‘Amy, have you seen Arnie?’
‘Um, no, I thought he was with you.’
Viewers will think or feel that family moments are quite important and can never be repeated forever.
This film, with
its ‘rustic’ glow made possible through cinematography, jumps right into the
conversation of the brothers as they perform their part of the ‘yearly ritual’
of waiting for the tourist’s trailers to pass through town. Gilbert meets one
of those tourists, Becky, through his work at the grocery, and a romance
develops between the ‘eaten’ Gilbert and the ‘worldly kind of girl’. When Arnie
is arrested, Momma is there to free him, and when the cake falls, Gilbert is
there to pick one up. Gilbert has his limits though, and after learning that
his girlfriend will leave on the day of Arnie’s birthday and seeing the hard
work of Amy wasted and meeting his boss outside Foodland, he has to pop that
balloon.
‘Do you know how
much that – cost?’
‘Do you know what
I had to do?’
After the breaking
point, the birthday party is held (with Momma inside of course) and a final
decision is made for a better future.
This film may
initially seem to be centred around Gilbert’s ‘longing to leave the town’ and
various ideas about family, but a closer look will reveal that through
Gilbert’s personal life we are observing and thinking about social issues. It
is naturally best to consider such ideas in an everyday life context back
dropped with attention-grabbing drama, romance and comedy.
With the fact
given that Gilbert’s older brother ‘got away’ and found a life elsewhere, we
come to realise why he could not follow his brother’s footsteps and instead
chose to work at a grocery. Even a local housewife says ‘I knew you wouldn’t
leave’. She also says ‘Poor Gilbert – cooped up’ referring to his character of
caring about others but rarely himself. When Gilbert does focus on his own life
though, Arnie ‘nearly drownded’. Arnie and Momma (Bonnie) may just as well be
exaggerations and the Grape family would not be this way in real life, but
without them, there would just as well be no Endora.
Gilbert, a
dependable and responsible young man wants ‘to be a good person’. As a person
who may never get out of Endora, his narration tells us he is bored, that is,
until he meets Becky. His lack of ambition and (later) responsibility influence
his family and other relationships. He shows moments of courage, trying to seek
freedom, but unfortunately has nowhere to go.
A very honest
character, Arnie is the ‘helpless boy’ in the family while his behaviour is
exaggerated. On occasion, he will display some inappropriate emotions which the
audience will have to guess what the true meaning is.
Becky is first shown to us when Arnie laughs and looks at her from inside the truck but is introduced only after she orders a delivery drive. She has the figure of freedom and is an open-minded outsider, being the only person to accept Gilbert’s mother. As well as being a talking partner for Gilbert, she is able to ask him questions such as ‘Tell me what you want as fast as it comes to you’. To this he answers, ‘A new thing… house… Momma to take aerobics classes… Ellen to grow up… Arnie to have a new brain.’ He mentions only the basic ‘foundations’, the skeleton of his life, and he focuses on his family. Nor is this the best approach, as we all know that acceptance of the people around you is the way. When asked ‘What do you want for yourself?’ he only replies, ‘To be a good person.’ And we wonder, has he always lived for others, or has he given up?’
‘I can’t imagine
how it’s been for you kids.’
‘I know what a burden I am. I know that you’re ashamed of me.’
Burning the house is a form of protest against the town which takes differences so seriously. In fact, at the time the movie was created, tolerance for differences, whether it be body shape or gender related issues was not so prevalent in some American societies.
Why does this film portray everyday life in its simple form? If we return to the nineties, and reconsider the historical background, the time when the movie was released, American companies had already moved out and people were finding life hard. At a time like this, the importance of strong family ties and relationships, as well as the need for real improvement that will bring happiness were topics floating at the back of directors’ minds. This film may be advocating the importance of pleasant, moderate aspects of everyday life as opposed to the drive for making money or gaining power; definitely worth watching.
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